essay

A technical and iconographic analysis of Carhua painted textiles

paracas art & architecture : object and context in south coastal peruIowa City • Published In 1991 • Pages: 61-109

By: Wallace, Dwight T..

Abstract
Wallace examines the weaving and painted designs of some 150 Paracas textiles, and compares them to the style and iconography of stone sculpture from Chavín de Huántar. Radiocarbon dates and relative stratigraphic placement are considered, along with the sequence for Ica Valley ceramics. Despite a number of motifs that appear on the textiles that are not found in Chavín sculpture, they are seen as adhering closely to a narrowly defined Chavín style of art produced for ritual purposes. Differences are minor between local assemblages of textiles, probably because of their highly portable nature. Chavín influence on textiles wanes by the latter half of the Paracas subtradition.
Subjects
Comparative evidence
Acculturation and culture contact
Cordage
Woven and other interworked fabrics
Ceramic technology
Visual arts
Burial practices and funerals
Sacred objects and places
tradition
Coastal Andean Late Formative
HRAF PubDate
2015
Region
South America
Sub Region
Central Andes
Document Type
essay
Evaluation
Creator Type
Textile Analyst
Document Rating
4: Excellent Secondary Data
Analyst
Sarah Berry; 2012
Field Date
no date
Coverage Date
2800-2200 BP (800-200 BC)
Coverage Place
Pisco and Ica provinces, Ica, Peru
Notes
Dwight T. Wallace
For bibliographical references see document 19: Paul (1991, References cited)
LCCN
91016740
LCSH
Andes Region--Antiquities