essay

An assessment of previous studies of the Nazca glyphs

lines of nazca183 • Published In 1990 • Pages: 1-40

By: Aveni, Anthony F..

Abstract
The author describes the Nazca lines or geoglyphs, how they were created, their variety, and the line centers. Past research and previous hypotheses about why the lines were created are assessed systematically and in detail, including: as a calendar; to mark astronomical or celestial phenomena; as an intellectual exercise in geometry; for denoting the use of water (especially the line centers); as ceremonial pathways; and purely as works of art. It is urged that the lines be regarded from a culturally Andean perspective, and that multiple purposes are likely. Peak construction is given to be during Nazca phases 3-4, circa 100 BC-AD 100 in the employed chronology. [Note: In addition to the outmoded chronology, the reader is also cautioned that figures were incorrectly labeled in the original; e.g. on page 5 the reference to Fig. 2 should have been to Fig. 1.2a.]
Subjects
Reviews and critiques
Theoretical orientation in research and its results
Archaeological survey methods
Visual arts
Sacred objects and places
Ideas about nature and people
tradition
Nazca
HRAF PubDate
2015
Region
South America
Sub Region
Central Andes
Document Type
essay
Evaluation
Creator Type
Archaeoastronomer
Document Rating
4: Excellent Secondary Data
5: Excellent Primary Data
Analyst
Sarah Berry; 2013
Field Date
1981, 1984
Coverage Date
2200-1500 BP (200 BC-AD 500)
Coverage Place
"Pampa" (Nazca Lines), El Ingenio and Nazca districts, Nazca, Ica, Peru
Notes
A. F. Aveni
For bibliographical references see document 12:Aveni (1990, References cited…)
LCCN
89084667
LCSH
Nazca culture
Social structure--Peru--History
Nazca Lines Site (Peru)